ANALYSIS OF BEING A MAN IN SACRED DEFENSE CINEMA THE CASE OF HATAMIKIYA'S BODYGUARD

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dc.contributor.authorAghghaleh, Elnaz Pakpour
dc.contributor.authorOzad, Bahire Efe
dc.date.accessioned2026-02-06T18:19:53Z
dc.date.issued2023
dc.departmentDoğu Akdeniz Üniversitesi
dc.description.abstractThe political developments in Iran at the end of the 20th century, particularly the beginning of the Iran-Iraq war immediately after the revolution in Iran, had a deep influence on storytelling in general and movie-making in particular. This gave rise to new social definitions, including a unique form of masculinity. The war, with its masculine atmosphere and Shi'ite-rooted ideology, gave birth to a new definition of masculinity, which can be seen reflected in the Sacred Defense Cinema genre. Sacred Defense Cinema has played a significant role in defining gender with Islamic roots. This paper aims to shed light on Iranian cinema, specifically the Sacred Defense Cinema, through an analysis of Hatamikiya's film Bodyguard.
dc.identifier.endpage87
dc.identifier.issn1583-0039
dc.identifier.issue65
dc.identifier.scopusqualityQ1
dc.identifier.startpage72
dc.identifier.urihttps://hdl.handle.net/11129/9344
dc.identifier.volume22
dc.identifier.wosWOS:001028527200006
dc.identifier.wosqualityN/A
dc.indekslendigikaynakWeb of Science
dc.language.isoen
dc.publisherUniv Babes-Bolyai
dc.relation.ispartofJournal For the Study of Religions and Ideologies
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.snmzKA_WoS_20260204
dc.subjectmasculinity in cinema
dc.subjectIslamic masculinity
dc.subjectSacred Defense Cinema
dc.subjectcinema in Iran
dc.subjectEbrahim Hatamikiya
dc.titleANALYSIS OF BEING A MAN IN SACRED DEFENSE CINEMA THE CASE OF HATAMIKIYA'S BODYGUARD
dc.typeArticle

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