ANALYSIS OF BEING A MAN IN SACRED DEFENSE CINEMA. THE CASE OF HATAMIKIYA’S BODYGUARD

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dc.contributor.authorAghghaleh, Elnaz Pakpour
dc.contributor.authorÖzad, Bahire Efe
dc.date.accessioned2026-02-06T18:01:16Z
dc.date.issued2023
dc.departmentDoğu Akdeniz Üniversitesi
dc.description.abstractThe political developments in Iran at the end of the 20th century, particularly the beginning of the Iran-Iraq war immediately after the revolution in Iran, had a deep influence on storytelling in general and movie-making in particular. This gave rise to new social definitions, including a unique form of masculinity. The war, with its masculine atmosphere and Shi'ite-rooted ideology, gave birth to a new definition of masculinity, which can be seen reflected in the Sacred Defense Cinema genre. Sacred Defense Cinema has played a significant role in defining gender with Islamic roots. This paper aims to shed light on Iranian cinema, specifically the Sacred Defense Cinema, through an analysis of Hatamikiya's film “Bodyguard”. © SACRI.
dc.identifier.endpage87
dc.identifier.issn1583-0039
dc.identifier.issue65
dc.identifier.scopus2-s2.0-85164437656
dc.identifier.scopusqualityQ1
dc.identifier.startpage72
dc.identifier.urihttps://hdl.handle.net/11129/8374
dc.identifier.volume22
dc.indekslendigikaynakScopus
dc.language.isoen
dc.publisherUniversitatea Babes-Bolyai, Catedra de Filosofie Sistematica
dc.relation.ispartofJournal for the Study of Religions and Ideologies
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanı
dc.rightsinfo:eu-repo/semantics/closedAccess
dc.snmzKA_Scopus_20260204
dc.subjectcinema in Iran
dc.subjectEbrahim Hatamikiya
dc.subjectIslamic masculinity
dc.subjectmasculinity in cinema
dc.subjectSacred Defense Cinema
dc.titleANALYSIS OF BEING A MAN IN SACRED DEFENSE CINEMA. THE CASE OF HATAMIKIYA’S BODYGUARD
dc.typeArticle

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